Informações sobre o curso
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100% on-line

Comece imediatamente e aprenda em seu próprio cronograma.

Prazos flexíveis

Redefinir os prazos de acordo com sua programação.

Nível intermediário

Familiarity with Maya 3d modeling software essential, basic knowledge of zbrush, substance painter, and marmoset also needed.

Aprox. 17 horas para completar

Sugerido: 8 -12 hours per week can be expected. Workload is based on complexity of chosen subject....

Inglês

Legendas: Inglês

O que você vai aprender

  • Check

    Model accurate block-in, mid poly meshes

  • Check

    Create high poly models with a real world level of accuracy

  • Check

    Create game-ready low poly meshes for a real-time environment

  • Check

    Texture and render models to give them the appearance of photo-realism

100% on-line

Comece imediatamente e aprenda em seu próprio cronograma.

Prazos flexíveis

Redefinir os prazos de acordo com sua programação.

Nível intermediário

Familiarity with Maya 3d modeling software essential, basic knowledge of zbrush, substance painter, and marmoset also needed.

Aprox. 17 horas para completar

Sugerido: 8 -12 hours per week can be expected. Workload is based on complexity of chosen subject....

Inglês

Legendas: Inglês

Programa - O que você aprenderá com este curso

Semana
1
4 horas para concluir

Week 1: Blocking-In Model

9 vídeos (Total 93 mín.), 2 leituras, 4 testes
9 videos
Essential Modeling Tips8min
Essential Modeling Tools18min
Essentials Substance Painter9min
Essentials ZBrush9min
01 Reference8min
02 Image Planes7min
03 Initial Block-In19min
04 Refining Initial Block-In3min
2 leituras
Essential Skills/Software10min
Choosing Your Project10min
3 exercícios práticos
Essentials Quiz16min
Planning and Reference
Rough Block-In
Semana
2
2 horas para concluir

Week 2: Mid-Poly Block-In Model

8 vídeos (Total 83 mín.), 2 testes
8 videos
02 Mid-Poly Eye Piece Swivel8min
03 Mid-Poly Eye-Piece Viewer7min
04 Mid-Poly Body15min
05 Mid-Poly Battery4min
06 Finish Mid-Poly Body15min
07 Mid-Poly Swivel Mount8min
08 Mid-Poly Strap Mount8min
1 exercício prático
Mid-Poly Modeling
Semana
3
3 horas para concluir

Week 3: High-Poly Model

10 vídeos (Total 104 mín.), 3 testes
10 videos
02 High-Poly Eye Piece Swivel5min
03 High-Poly Eye Piece4min
04 High-Poly Swivel Mount5min
05 High-Poly Objective Lens14min
06 High-Poly Battery & Switch14min
07 High-Poly Body Cap12min
08 High-Poly Prepping the Body12min
09 High-Poly Body10min
10 High-Poly Floaters17min
2 exercícios práticos
Sub Division Modeling
ZBrush Modeling
Semana
4
2 horas para concluir

Week 4: Low-Poly Model

9 vídeos (Total 49 mín.), 2 testes
9 videos
Low Poly Objective Lens9min
Low Poly Strap Mounts3min
Low Poly Battery Pack3min
Low Poly Battery Switch3min
Low Poly Swivel Mount3min
Low Poly Eye Piece4min
Low Poly Finishing Body11min
UV Layout4min
1 exercício prático
Low-Poly

Instrutores

Avatar

Andrew Dennis

Professor of Practice
Media and Information

Sobre Universidade Estadual de Michigan

Michigan State University has been advancing the common good with uncommon will for more than 150 years. One of the top research universities in the world, MSU pushes the boundaries of discovery and forges enduring partnerships to solve the most pressing global challenges while providing life-changing opportunities to a diverse and inclusive academic community through more than 200 programs of study in 17 degree-granting colleges....

Sobre Programa de cursos integrados Art for Games

In this beginner focused specialization we will show you the essentials of 2d and 3d game art production as well as concept art for games and current gen game art workflow. While each of the four courses will build your knowledge of the practice of game art, each module is a self contained unit designed to teach a specific area. By the end of the Specialization, you will have a thorough knowledge of the creation of high-quality game art assets. Through these courses, you will be using Maya, Unity, Photoshop, Sketchup, ZBrush, Marmoset Toolbag, and Substance Painter....
Art for Games

Perguntas Frequentes – FAQ

  • Ao se inscrever para um Certificado, você terá acesso a todos os vídeos, testes e tarefas de programação (se aplicável). Tarefas avaliadas pelos colegas apenas podem ser enviadas e avaliadas após o início da sessão. Caso escolha explorar o curso sem adquiri-lo, talvez você não consiga acessar certas tarefas.

  • Quando você se inscreve no curso, tem acesso a todos os cursos na Especialização e pode obter um certificado quando concluir o trabalho. Seu Certificado eletrônico será adicionado à sua página de Participações e você poderá imprimi-lo ou adicioná-lo ao seu perfil no LinkedIn. Se quiser apenas ler e assistir o conteúdo do curso, você poderá frequentá-lo como ouvinte sem custo.

  • The course is designed with these programs in mind due to their place as industry standard tools. You may use other tools if you wish (blender, gimp, etc) and apply the same techniques to those programs, but keep in mind the course was designed for Maya, Zbrush, Substance, and Marmoset

  • While making models for games is all about getting it into the game, presenting your work in the best possible light is a big part of art. For personal or portfolio projects you should always take the time to present them. A few hours of lighting and rendering in marmoset will get much better results than spending those hours further polishing your model and textures.

  • You will find the difficulty of your project has a lot to do with the complexity of the model you attempt to create. If it is your first time tackling these subjects I recommend keeping it simple for this course (a screwdriver rather than a car). You can always spend more time later improving and polishing your work after the course. Perfect is the enemy of done!

  • Every problem is a combination of what to do and how to do it, it's best if you aren't trying to do both at once. Most 3d artist work from image or concepts generated by another artists, so being able to follow someone else's design is an essential skill.

    As for concept art, it's best to stick to real world things. Just like 2d artist start drawing with still life, 3d artists can learn a lot by recreating a real world object. Paintings lie, and concept art can often contain lots of visual shorthand, they are sketches meant to convey the idea the artist is going for. It will be much easier to find all the reference you will need from a real world object.

    You could pick a movie or tv prop, as long as you can find enough reference. Our goal in this course is to learn how to take an object and create a photo-real facsimile of it. When you have done that, you will be much more able to make the kinds of assumptions and leaps in logic you will need to work with limited reference.

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