Explore
For Enterprise
Join for Free
Log In

Artes e Humanas
Negócios
Ciência da Computação
Ciência de Dados
Tecnologia da informação
da saúdesaúde
Matemática e Lógica
Desenvolvimento Pessoal
Ciência e Engenharia Física
Ciências Sociais
Línguas
Notas
Certificados

Explore todo o Coursera

Navegar
Pesquisar
For Enterprise
Entrar
Inscreva-se gratuitamente

Personal Writing Advice

Loading...

História e desenvolvimento de narrativa para Video Games

Instituto de Artes da Califórnia

4.7 (699 classificações) | 22K alunos inscritos

Curso 2 de 5 no Design de jogos: arte e conceitosDesign de Jogos: Arte e Conceitos Programa de cursos integrados

In this course, you will examine how storytelling acts as a vital mechanism for driving video gameplay forward. Looking at several historical and contemporary games, you will be asked to evaluate and interpret different story styles with the goal of identifying themes and procedures for your own game ideas. We'll examine traditional narrative story processes, such as three-act structure, and how they fit into game story flows and the strategic elements of gameplay. Ultimately, you will learn how to define character, setting, and structure to create a compelling game concept.

Visualizar o programa do curso

Habilidades que você aprenderá

Interactive Storytelling, Video Game Development, Video Game Design, Game Design

Avaliações

4.7 (699 classificações)

5 stars
528 ratings
4 stars
128 ratings
3 stars
28 ratings
2 stars
12 ratings
1 star
3 ratings

RB

Feb 24, 2016

I am glad that I have chosen to sign up to this course. It has open up my vision to a whole new world. Thanks so very much. The professor is engaging and the course content is fascinating.

LL

Mar 07, 2019

What a fun course! Really made me think about writing, how to turn a story into a game, and how to ideate and create bigger concepts from small ideas. Loved watching all the videos!

Na lição

Week 3: Story Workshop

This week, we explore ideation techniques and learn how to consolidate our ideas into more formalized stories specifically for pushing them towards a game design. We will take a look at the importance of, and ways to refine, characters and settings as we develop an initial concept in story form first, and then next week, into a game.

Story Ideation Techniques8:09

Personal Writing Advice5:25

Ministrado por

Dariush Derakhshani
Faculty, Character Animation

Transcrição

For me writing is one of the most enjoyable, but frustrating and

anxiety causing things in my life.

I've published dozens of educational and training books and a ton of articles and

tutorials and scripts over the course of my life, as well as

a secret cache of creative writing that usually I just keep for myself.

But when I set out to write for somebody else, whether it's a creative project or

not, I have to find that special place in my mind

where I allow myself to move on and actually be productive.

Maybe some of you will resonate along with this feeling, but I really am,

my own worst enemy, and I put myself through a neurotic hell,

before even the first words hit my keyboard.

Writing this course alone, I went through dozens of drafts and edits.

The entire time, I chewed myself up on the inside.

Writing and communicating your honest ideas to the world, it can be as

daunting and traumatizing as dancing naked in front of a giant audience.

It's just not a pretty thought to think about.

You have to find your comfort zone, and you have to allow yourself the room to be

creative, and think beyond the simple mechanics of your game, and

get into the creative guts of why these things happen the way they do.

Explore the emotions of the game and,

in doing so, you're going to bring a lot of yourself into it.

To do that,

I want to tell you about the single best advice I've gotten from a writing teacher.

A teacher I only had for a short period of time, a guy named Michael McCarthy.

Michael laid out a great creative process that helped me get over this nausea I

have about writing and and when I follow it, it works really well.

First dedicate a routine for yourself.

Set aside a number of minutes per day,

where you do nothing but prepare and write.

When you're on a project like a game you wanna create, take a week and

everyday of that week, set aside 60 minutes.

Find a place where it's quiet and no one is gonna bother you.

And your not gonna distract yourself with emails or calls or games or anything.

That sixty minutes and in that place your spending your time purely on your story.

Set a timer, and spend the first 15 minutes reading.

Read anything.

Read the paper, read a magazine, read a letter, read a book.

Just don't read what you've written before.

It gets you all judgey about your own stuff, and

definitely do not get on the internet.

The Internet's a black-hole of time with Facebook and Twitter and

Google and all that.

Those 15 minutes are going to turn into an hour easy, before you even know it.

The next 15 minutes, spend writing out those single line ideas.

Pepper that sheet of paper with scribbles and thoughts about that single subject.

Like the sheet of ideas on why the heroes goal in your game is so important.

If you get to the end of that sheet and you still have some of that 15 minutes

left, start a new sheet, but stay on that same idea.

With some practice, don't be surprised you're gonna wind up with multiple sheets

of paper in just 15 minutes, where you've got 50 or 60 ideas scribbled out.

And that's great.

Then take a one or two minute break and don't do anything.

Sit there and just stare at something.

Stare at the wall.

Stare at the ceiling.

Stare at the cockroaches in your kitchen.

Just clear your mind.

Don't let the idea of dancing naked

in front of that audience come into your head.

There's just under 30 minutes left of your hour, and in that time, take a look and

review the idea sheet you just wrote.

And start making the connections that we talked about in the last lecture.

Write that out in a paragraph form on a new sheet of paper,

on those six to ten ideas and how they correlate to each other, and how they

build on top of each other to craft a richer description of your starting idea.

When 60 minutes is up, stop and walk away, and get on with the rest of your day.

Now it's okay to maybe go a minute over here or there,

but don't run wild at this point.

Keep it to an hour.

But the deal is, commit to that hour fully, every single day for that week.

By the end of that week you should have some pretty good, fleshed-out ideas for

your goals and your settings and your characters.

You can easily build on this every week.

Slowly increase this sacred time you spend writing on your game.

Maybe week two, you spend 75 minutes a day, instead of 60.

But you have to stay consistent with it.

This is key.

Don't let anything pull you away before that time is up.

And don't let it keep you there longer than that time.

That discipline, when I use it, really helps me get over my own fears,

and regiments me into writing so many things that I've been most proud of.

Some of these things I actually share with people, and

I don't feel like I'm dancing naked in front of an audience.

Try it out.

Maybe it's gonna work for you too.

Explore nosso catálogo

Registre-se gratuitamente e obtenha recomendações, atualizações e ofertas personalizadas.

O Coursera proporciona acesso universal à melhor educação do mundo fazendo parcerias com as melhores universidades e organizações para oferecer cursos on-line.

© 2019 Coursera Inc. Todos os direitos reservados.

Baixar na App Store

Baixar no Google Play

Coursera
Sobre
Liderança
Carreiras
Lista de cursos
Certificados
Certificados MasterTrack™
Notas
For Enterprise
For Government

Comunidade
Learners
Partners
Developers
Beta Testers
Translators

Conectar
Blog
Facebook
LinkedIn
Twitter
Instagram
YouTube
Tech Blog

Mais
Termos
Privacidade
Ajuda
Acessibilidade
Imprensa
Contato
Diretório
Afiliados