4-5 Motion Database

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Do curso por The University of Tokyo

Computação Gráfica Interativa

153 classificações

The University of Tokyo

Computação Gráfica Interativa

153 classificações

Computer graphics can be a powerful tool for supporting visual problem solving, and interactivity plays a central role in harnessing the users' creativity. This course will introduce various interactive tools developed in computer graphics research field with their design rationales and algorithms. Examples include enhancements to graphical user interfaces, authoring tools for 2D drawings and 3D animations, and interactive computer-aided design systems. Rich live demonstrations and course assignments will give you insights and skills to design and implement such tools for your own problems.

Na lição

Deformation and Animation

Starting from this module, we are shifting our attention towards simulating/crafting real objects and movements, which usually require intricate systems to deal with. As for this module, we will introduce clothing manipulation techniques, layer operations for stacked deformable objects, spatial key framing for character animations, procedural deformation, and human motion visualization using stick figures. You will discover how deformation and animation techniques help visually reproduce complex objects and motions.

4-1 Clothing Manipulations14:24

4-2 Layer Operations12:50

4-3 Spatial Key Framing11:27

4-4 Procedural Deformation13:09

4-5 Motion Database10:25

Conheça os instrutores

Takeo Igarashi
Professor
Department of Computer Science, Graduate School of Information Science and Technology

Okay.

So next task, next topic is motion database.

So the work we introduce here is a retrieval

on visualization of human motion data via stick figures.

The motivation here is there is a

large capture database, motion capture database available.

So you have loads of human motion captured, lot's of them.

So by combining them you can.

Create interesting animation very easily.

However, the problem is that it's very, very difficult to find desired motion.

Two problems, it's very difficult to see what's

in the database already, so browsing can be difficult.

Another problem is that it's very difficult to search.

You may want to search for specific

motion, but specifying desired emotion is not easy.

So that’s a problem.

Our approach is to use comic visualization of stick figure representation.

Stick figures for comic visualization and search, enabling us to use the

image or motion capture data in this kind of comic strip like representation.

So in this way you can get emotion just by watching

a static representation and then you get the idea of the motion.

And then another is a sketch based search.

So you quickly sketch a desired emotion

and then the system automatically delivers it.

And what's interesting here is that not only user draws a pose.

But user can also specify the motion, trajectory, or

give a joint to find the target motion, efficiently.

So, let me show you a video.

So

here is a representation, taken this 3D motion as input.

The system creates this motion as representation.

By looking at this comic you can understand the concept of motion.

And this is stick figure sketch based search.

On the left you draw a query

and the system continuously shows the search result given this new input.

So fast we show the generation of stick figure comic strip from motion.

So this is input, animation.

And then we analyze the speed, and then we get the key poses, this way.

And then we select the most effective

viewing angle, and then render the results.

And that is all.

You get a very inventive presentation.

Here is a couple of examples.

Here it is in relation to the pose itself,

the system also shows the most dynamic, most projectory.

To provide more of the information.

[BLANK_AUDIO]

So this is an example of database browsing.

So usually in order to browse this kind of data base, you

have to watch and then you draw the motion one by one.

But here you can quickly see what's going on by looking at the go about view.

So our next part of the search.

So, on the left side you draw, sketch the desired shape of the stick figure.

So head, and leg, and body, and as you

see the system continuously provides feedback of a matching result.

[BLANK_AUDIO]

Now interesting here is that in addition to the pose itself

you then can control this kind of project speed, speed line.

So this specifies our movement direction.

So here in this way you can move the,

identify the shape that waves the hand this way.

So this can filter out motion from top to down.

And here is the opposite motion.

So we have found that this kind of speed

runs is very useful for this [unintelligible] specific motion.

[BLANK_AUDIO]

User can retrieve longer sequence by sketching

multiple sequences like fast kick, next punch.

And then do something next, then you got the

system searches for a motion clip that satisfies this request.

Okay, so let me briefly describe the algorithm.

So first is visualization, and next is search.

So visualizations, the one question to answer is what, which pose to use?

You know, you have long sequence, so many poses,

and they have to pick couple of important key poses.

So here in this system, we've used a scene where the

character changes it's motion, movement direction or when the motion is stopped.

But here, you uses, here the direction suddenly

changes, so we pick it as the [UNKNOWN] pose.

And after picking the [UNKNOWN] poses next question is which viewing angle to use.

There are many ways to lend specifically the shape.

In 2D, so you don't have to identify a most effective view, we

use a perpendicular, it's a new direction

which is perpendicular to the movement direction.

So here an example, when the, this character

is making a kicking motion, we believe that this

motion, side view, is better than front view

because you can see the motion of the leg.

So we compute the trajectory of the joint, most moving joint,

and then we get a direction most perpendicular to the prominent motion.

And search.

So for search, one key observation we got is,

joint, specific XY coordinator, joint locations are not very accurate.

Because in user's former sketch, you know, joint

[UNKNOWN] changes so much, and is so unstable.

So we cannot rely on joint location, so basic positions.

However, we [UNKNOWN] orientation of joint angle, is relatively stable.

[UNKNOWN] in former user sketch.

So we, we decided to use a 2D direction, orientation of

each joint, or each bone, as a key for the search.

Another important thing is that there are multiple matching

possibilities, so we consider all possibilities in the search.

For example, you now, if you a sketch, this kind of character.

The user draws only one arm and one leg.

So there are so many possibilities.

This can represent left leg or right leg.

And this can represent left arm or right arm.

So we just consider all the possibilities and then

we turn over and watch the result of these priorities.

Okay.

So here is a summary.

So we presented a efficient access to large motion capsule database.

So we presented comic base visualization, and sketch base search.

And we discussed iden, identification keyboard's is and during directions.

And those are we, the measurements that we use bone direction for the search.

So to learn more, original paper is called Retrieval

and Visualization of Human Motion Data by, via stick figures.

And the comic-strip presentation, we get idea from a

Comic Chat system, which takes a chat communication sequence.

And the [INAUDIBLE] generates comic strips representing the chat conversation.

And also there's a paper on 3D shape

retrieval, using sketching as input, and this is

called search engine for 3D models and this

can be interesting little paper to look at.

And finally, posing.

Character posing by stick figure was already explored in

a paper called sketching interface for articulated figure animation.

So they take 2D stick figure illustration and then

generate smooth 3D animation by doing multiple, stick figures.

But they did not use motion capture.

Okay, so this is a summary fo this week.

So in this week we discussed the formation and animation.

So instead of taking care of a rigid 3D shape.

We we discussed how to control articulated character and also the form of our shapes.

And we discussed clothing manipulation, how to put clothing on that character.

And the layer operations, how to store up layers in stacked clothing or ropes.

And we discussed special key frames to

make smooth animation of our articulated characters.

And procedure deformation means to generate

animation of jelly fishes and wild.

And then find the way we discussed

how to efficiently access motion calculator database.

So, thank you.

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