Coordinating an event sometimes is more than making things happen, In some cases we also have the possibility to think outside the box and go further, after all we are managing cultural events, so we also can be creative. We’re going to take a look at some examples of add-ons and ways to experiment with other senses, to create another layer of understanding. CymaSpace is a non-profit performance venue & technology incubator in Portland, Oregon. Their mission is to make the performing arts more accessible and inclusive to Deaf and Hard of Hearing communities by supporting the development of projects and education programs, translating sound waves into visual and tactile phenomena and presenting these works in live performances. They believe that when artists involve more senses, their work is not only more accessible and inclusive, but also more engaging and exciting. They have developed an open source digital lighting system called AUDIOLUX, that allows the Deaf & Hard-of-Hearing to see music & alerts using LED’s to showcase the music being played. When played, the piano keys create tones that resonate at different frequencies and amplitudes. This audio information is then analysed and translated into different light colours and movement. more information is available on the Cyma space website for which we provide the link below. In Mediaestruch in Barcelona have made several versions of Hackathons: A Hackathon is an event where designers, creators, programmers, and in this case, also artists, gather to develop and show projects with a specific purpose. our Hackathons are about accessibility to the performing arts for the blind and/or the deaf. We aim at an artistic and experimental view of accessibility and the idea of including more layers than already known in this field. Let´s have a look at some prototypes and projects: The Sound of the Skin is the name of Felix Vinyal’s installation, where the artist invites spectators to explore their own limits when they enter into contact with other people. Using two switches equipped with sensors, viewers can directly influence the sound and colour of the installation itself, which are modified as the degree of physical proximity increases. Another example is a prototype of a textile that is able to spread scent and heat to create experiences for other senses. (this was made in collaboration with ESDI School of design) The Symbiotic festival used balloons that vibrate in accordance with the sound. As you see, these are just some examples and experiments of what creative people are developing in the context of the senses. Some of these experiments are easier to integrate in a show than others, but we hope this will open your mind and encourage you to be more creative if this is possible where you are. If you are interested in this subject maybe you can also do some research to see what is feasible in your context. Maybe there are similar projects in your part of the world. So reach out and make contact!