This course addresses recorded vocal performances and the technologies used to highlight and support them in modern record production and mixes. Most of us know that vocals serve as the focal point of modern recordings but many do not know the tools used or when the tools are used best in modern record production. The course begins with simple vocal placement in a mix, where you will also learn the fundamentals of compression and equalization. You’ll further study delays and reverbs before moving to advanced concepts in audio editing, synthetic processing, automatic & graphic pitch correction, time compression, time expansion, flex and elastic audio. Through analysis and/or hands on projects that the students will post for peer review, the student will gain an understanding of the many choices available to modern record producers as they record and mix with a modern tool set. You’ll see, in action, the Vocoder, Auto-Tune, Melodyne, Elastic Audio, Flex Time, VocAlign, tempo based editing and a host of other file modification protocols that are readily available on most Digital Audio Workstations. This course gives students a thorough look at the expanded choices that have risen in the art of vocal production as a result of these modern tools. The goal of the course is to help interested novices understand the recordings they are listening to, performers find an expanded language for their recorded voices and for vocal producers to be able to create musically artistic visualizations using singers as their paintbrushes.
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O que você vai aprender
Discuss the various types of dynamics processing and when to use each and apply equalization to a vocal track to enhance and improve the quality
Define, describe, and apply time based effects and use them to enhance the sound of a vocal track
Compare audio editing techniques, including time based and tempo based
Discuss how technology has changed the music recording industry
Habilidades que você terá
Programa - O que você aprenderá com este curso
Welcome To The Art of Vocal Production
Welcome to The Art of Vocal Production! In this module, we will cover all the details about how this course works and what you'll need to know to get the most out of your course experience.
Natural Vocal Design: How Vocal Producers Create
By the end of this lesson you will understand vocal placement within the stereo field and how recording a vocalist multiple times can create various types of listening experiences. You will understand level, phase, phantom center, panning, balance, equalization and compression concepts used in modern recordings. Your ability to listen to music will be expanded and you will probably never listen to vocals in music the same way ever again once you have been exposed to these simple concepts
Artificial Vocal Design: How Vocal Producers “Sweeten” the Creation
In this lesson, we will lean less on the vocalist and more on tools that can be used to change the way we listen to vocals in music. You will now understand how delays and reverbs have been used in the music you love and their relationship to time and tempo. Your desire to try out some of these techniques will be piqued by the time you finish this lesson.
Vocal Time Compression and Expansion: Tools of the Trade
In this lesson the nature of the DAW (Digital Audio Workstation) will be demystified and simplified. You will understand time as an absolute concept, time as a relative concept and further grasp the utility of the sample rate and bit depth parameters in your audio software. You will be shown tools that can change a song from a ballad to a dance record and vice versa. Many modern vocal production tools exist in software that might already be on your computer; but if you do not have such tools, you will document the use of these concepts via in-depth analysis of current and emerging music.
Vocal Pitch Correction and Tuning: More tools of the Trade
In this lesson, you will learn some of the industry standard pitch correction and tuning tools. Although you will gain an understanding and appreciation of how easy the job of a vocalist can be when these tools are used, you will also learn that your first lesson in simple performance and placement is still the most potent skill in your art of vocal production arsenal.
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Melhores avaliações
This course was really fun, I have learned so much. And I am glad I took the time to complete it. I work with vocals all the time. And now I feel much more confident now. Thank you Mr Prince.
Nice and interesting course about vocal production. Great tips and information in an introduction way. Amazing for first steps in music production.
Instrutores
Prince Charles Alexander
ProfessorSobre Faculdade Berklee de Música
Perguntas Frequentes – FAQ
Quando terei acesso às palestras e às tarefas?
Ao se inscrever para um Certificado, você terá acesso a todos os vídeos, testes e tarefas de programação (se aplicável). Tarefas avaliadas pelos colegas apenas podem ser enviadas e avaliadas após o início da sessão. Caso escolha explorar o curso sem adquiri-lo, talvez você não consiga acessar certas tarefas.
O que recebo ao adquirir o Certificado?
Quando você adquire o Certificado, ganha acesso a todo o material do curso, incluindo avaliações com nota atribuída. Após concluir o curso, seu Certificado eletrônico será adicionado à sua página de Participações e você poderá imprimi-lo ou adicioná-lo ao seu perfil no LinkedIn. Se quiser apenas ler e assistir o conteúdo do curso, você poderá frequentá-lo como ouvinte sem custo.
Qual é a política de reembolso?
Existe algum auxílio financeiro disponível?
What do I need in order to submit recording assignments?
During the course, you will be asked at times to submit recorded examples of your song ideas. In order to do this, you will need your computer's built-in microphone or an external microphone plugged directly into your computer (via built-in ports or an external audio interface), in addition to basic audio recording software, such as Audacity or GarageBand, that will allow you to record yourself and save the recording in MP3 format.
Will I be working on my own music?
Although working with your own original music is not required of this course, you are welcome to use your compositions and songs for some class work.
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