Welcome to Exploring Beethoven's Piano Sonatas Part 5! You’re joining thousands of learners currently enrolled in the course. I'm excited to have you in the class and look forward to your contributions to the learning community.
Exploring Beethoven's Piano Sonatas Part 5
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Exploring Beethoven's Piano Sonatas Part 5
Instituto de Música Curtis
Informações sobre o curso
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Prazos flexíveis
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Nível intermediário
Aprox. 13 horas para completar
Sugerido: 5 hours/week
Inglês
Legendas: Inglês
Programa - O que você aprenderá com este curso
1 hora para concluir
Welcome to Class
WELCOME TO CLASS! We are thrilled that you have joined us for Part 5 of Exploring Beethoven's Piano Sonatas course, taught by Jonathan Biss, Chair of Piano Studies at the Curtis Institute of Music. Jonathan is recognized as a world-renown concert artist and musical thinker. This course is Part 5 of the existing series called Exploring Beethoven’s Piano Sonatas. As with all sections of this course, Part 5 contains new and separate sets of lectures. Specifically, we will dive into Beethoven's Piano Sonata Op. 27, No. 1; Sonata Op. 31, No. 1; Hammerklavier, Op. 106, to which there are two dedicated lectures for this monumental work. It is important to remind you that it is not necessary to have taken the previous Exploring Beethoven's Piano Sonatas courses, in order to enroll in this one. We think you will be perfectly comfortable to start learning with Part 5 if you wish and continue backwards. Between these courses, there exists a large amount of additional resources and learning that might be helpful as you embark on Part 5. And of course, we strongly encourage you to take Parts 1, 2, 3 and 4, if you have not yet. In the meantime, have a terrific time taking this class and Part 5 of Exploring Beethoven’s Piano Sonatas.
1 hora para concluir
3 leituras
3 leituras
Welcome to Part 5 of Exploring Beethoven's Piano Sonatas!10min
Syllabus10min
Getting to Know You10min
1 hora para concluir
Op. 27, No. 1
1 hora para concluir
9 vídeos (Total 59 mín.)
9 videos
Bridging the Gap Between Fantasy and Sonata6min
1st Movement: Unusual Form; Unusual Harmonic Stability7min
1st Movement: A Joyous Disturbance of the Peace8min
2nd Movement: A Scherzo of Extreme Economy and Drama6min
2nd and 3rd Movements: A Magical “attacca” Transition5min
3rd Movement: Less a Movement than a Setting of the Stage4min
4th Movement: The Rondo the Sonata Has Been Heading Towards11min
4th Movement: Further Blurring the Lines Between the Movements6min
1 exercício prático
Final Quiz – Op. 27, No. 1 Quiz30min
2 horas para concluir
Op. 31, No. 1
2 horas para concluir
11 vídeos (Total 73 mín.)
11 videos
1st Movement: Playing Poor Coordination for Laughs5min
1st Movement: A Radical Move to the Mediant6min
1st Movement: Obsessing Over his own Joke…5min
1st Movement: …And Milking it for All It’s Worth5min
2nd Movement: An Affectionate Wink at Italian Opera3min
2nd Movement: Embellishment as Parody8min
2nd Movement: From Parody to Profundity12min
3rd Movement: Rondo as Riddle6min
3rd Movement: Inspiring Schubert6min
3rd Movement: A Coda filled with Surprise8min
1 exercício prático
Final Quiz – Op. 31, No. 1 Quiz30min
2 horas para concluir
Op. 106: Hammerklavier (Part 1)
2 horas para concluir
11 vídeos (Total 60 mín.)
11 videos
Putting the “Hammer” in “Hammerklavier”2min
A Massive Work Unified by Two Motivic Fixations5min
1st Movement: An Exposition that Establishes the Work’s Scope and its Principal Concerns10min
1st Movement: A Fugal Development and a Return that Breaks Every Rule7min
1st Movement: The Work’s B/B flat Conflict, Front and Center5min
1st Movement: A Titanic Coda for a Titanic Movement5min
2nd Movement: A Compact, At Times Riotous Scherzo2min
2nd Movement: The Thirds Fixation, at its Most Concise4min
2nd Movement: A Trio that Moves from Mysterious to Maniacal…7min
2nd Movement: …and a Coda that is Yet More Maniacal4min
1 exercício prático
Final Quiz – Op. 106 Part 1 Quiz30min
Avaliações
4.9
Principais avaliações do EXPLORING BEETHOVEN'S PIANO SONATAS PART 5
por JSDec 26, 2019
Wow! stretched to 5 courses! It's amazing to watch this instructor. He's super knowledgeable and very likeable. And Beethoven's music is great.
por VSFeb 14, 2020
This is an excellent course and Jonathan Biss is a superb instructor!
Sobre Instituto de Música Curtis
The Curtis Institute of Music educates and trains exceptionally gifted young musicians to engage a local and global community through the highest level of artistry. One of the most selective schools in the United States, Curtis accepts four percent of applicants each year on average. A tuition-free policy ensures that talent and artistic promise are the only considerations for admission. With a small student body of about 175, Curtis ensures that each young musician receives an education of unparalleled quality, distinguished by personalized attention from a celebrated faculty and a “learn by doing” philosophy. Curtis students hone their craft through more than 200 orchestra, opera, and solo and chamber music offerings each year in Philadelphia and around the world.
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